2,514 Royalty-Free Audio Tracks for "A Flat Chords"

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

German sixth equals dominant seventh

An arpeggio.

Minor chord on A.

Dominant seventh flat five chord on C - As MIDI

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Eb major triad, MIDI file

III+7M chord in C minor.

Supertonic diminished seventh chord in C (D♯=E♭).

Ab-over-A slash chord.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

Viennese fourth chord.

Ballade no. 3 in A-flat major, op. 47

Fifteenth chord from Perry on C

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

Latsabidze plays Chopin's Polonaise Op.53 Čeština: Chopinova polonéza As dur, Op. 53 v podání Giorgiho Latsabidzeho Latsabidze spielt die Polonaise op.53 von Frédéric Chopin Македонски: Шопеновата „Полонеза Оп.53“ во изведба на Ѓорги Лацабиѕе

sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

Neapolitan sixth in C minor.

Sonata no. 31 in a-flat major, op. 110 - ii. allegro molto

♭III+ chord in just intonation. Pitch bend matches intervals.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.

Root, in red, of a C major chord.

Sixth (A), in red, of a C added sixth chord. Created by Hyacinth (talk) 15:57, 4 July 2010 using Sibelius 5.

Étude Op. 25, No. 1 in a-flat major, composed by Frédéric Chopin, performed by Donald Betts.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Klaviersonate Nr. 31 in As-Dur op. 110, 3. Satz (adagio, ma non troppo) Sonata no. 31 in a flat major, op. 110 - iii. adagio, ma non troppo

Full diatonic fifteenth chord from Listz on B

viio/V - V - I chord progression. Common in ragtime.

A minorΕλληνικά: Η συγχορδία ΛΑ ελάσσονα

viio7 in G major, on the guitar.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Shave and a Haircut in G with chords. Triplet swing.

A-flat harmonic minor scale ascending and descending. No pitch bend.

A-flat melodic minor scale ascending and descending. No pitch bend.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Half-diminished seventh chord on supertonic in C minor.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Major scale on A.

A harmonic minor scale.